Selected Writings

The Un-designability of the Virtual. Design from problem-solving to problem-finding.

In UnDesign. Critical Practices at the Intersection of Art and Design. Gavin Sade, Gretchen Coombs, Andrew McNamara (eds.) London, Routledge, 2018

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Filled with wonder. The enchanting android from cams to algorithms.

in Encountering Things. Design and Theories of Things. Leslie Atzmon and Prasad Boradkar (eds.) London, Bloomsbury. 2017

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Incertitude, contingence et intuition matérielle: un cadre de recherche pour un design mineur.

in Biomimétisme: Science, Design et Architecture. Manola Antonioli (ed). Paris, Éditions Loco. pp. 31-43. 2017

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Animistic Design: How to Reimagine Digital Interaction Between the Human and the Nonhuman

in Digital Creativity. Special issue: Post-anthropocentric creativity. Stanislav Roudavski and Jon McCormack (eds.). London, Routledge. pp. 52-70 (with Phil Van Allen). 2016

 

When Making Becomes Divination: Uncertainty and Contingency in Computational Glitch-Events

in The Interdisciplinary Journal of Design Research. 41, Part A. Special issue: Computational making. Terry Knight and Theodora Vardoulli (eds.). London, Elsevier. pp. 110-125. 2015

 

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Digital Materiality, Morphogenesis and the Intelligence of the Technodigital Object

in Deleuze and Design. Betti Marenko and Jamie Brassett (eds) Edinburgh: Edinburgh University Press. pp.107-138. 2015

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Introduction

in Deleuze and Design. Betti Marenko and Jamie Brassett (eds). Edinburgh: Edinburgh University Press. pp. 1-30. 2015. Co-written with Jamie Brassett.

Neo-Animism and Design. A New Paradigm in Object Theory

In Design and Culture. 6, 2. Special issue: Design, Thing Theory and the Lives of Objects. L. Atzmon (ed). London: Berg. pp.219-242. 2014

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Contagious Affectivity. The Management of Emotions in Late Capitalist Design

in Negotiating Futures – Design Fiction. Proceedings from the 6th Swiss Design Network Conference. Basel.pp. 134-149. 2010

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Object-Relics and their Effects: for a Neo-Animist Paradigm

In MEI Mediation and Information. Special Issue: Objets & Communication. 30-31. Bernard Darras and Sarah Belkhamsa (eds) Centre of Image, Research, Culture and Cognition, University Paris 1 Panthéon-Sorbonne. Paris: Editions de l’Harmattan. pp.239-253. 2009

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Now I Can Feel Myself! The Production of Affects in the Visual Discourse of Psychopharmaceuticals

In Networks of Design. Fiona Hackney, Jonathan Glynne and Viv Minton (eds). Proceedings of the 2008 Annual International Conference of the Design History Society. University College Falmouth. pp.94-99. 2010

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The Eyes are Trapped: Dario Argento’s The Bird With the Crystal Plumage

in If Looks Could Kill Fashion. Marketa Uhlirova (ed.) Film Festival Catalogue. London: Koenig Books. pp. 52-59. 2008

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Other essays, articles, exhibition catalogues

Skin Flaying and the Transgression of Boundaries

Stimulus Respond. 2009

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Is there life in bio art?

Mute. Culture and Politics after the Net, 30. 2007

Hot Bodies, Cool Styles. New Techniques in Self-Adornment

Practical advice. In Ted Polhemus, Hot Bodies, Cool Styles. New Techniques in Self-Adornment. London, Thames & Hudson, 2004

Museum Epidemiology

Mute. Culture and Politics after the Net, 27. 2004

Body Marking/Body Mapping: Embodied Difference and Strategies of De/Construction of Identity.

Working Papers and Preprints. (300-301-302/C). Centro Internazionale di Semiotica e Linguistica, University of Urbino. 2001

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The Self Made Freak

In David Wood ed, BodyProbe. Mutating Physical Boundaries, London, Creation Books, 1999

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Alex Binnie interview

In David Wood ed, BodyProbe. Mutating Physical Boundaries, London, Creation Books, 1999

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One Day We All Will Have Compound Eyes

in Elaine Palmer ed, Random Factor, London, Pulp Faction, 1997

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Skinny Dipping in the Semiotics Pond

The Art Newspaper, 146. 2004

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Endless Epide®mical Encounters

Decoder. Milano, Shake Edizioni. 2003

Hooking the Flesh, Sewing the Mouth. Reflections on Surface

Fringecore, 8. 2000